Showing posts with label pop. Show all posts
Showing posts with label pop. Show all posts

Tuesday, October 18, 2011

Do You Even Like Music #1


A few months past I was riding shotgun in my friend's truck to the local shop to pick up some alcohol for the upcoming night's festivities (I think we were celebrating the fact that it was Friday evening); the trip was a short one so we skipped the ipod playlist and opted for standard clear channel radio to soundtrack our beer run. We caught the tail end of some interchangeable pop confection before LMFAO's "Party Rock Anthem" began flooding out of the speakers. My friend started bobbing his head in active enjoyment while I involuntarily sneered. Noticing my obvious discomfort I got a roll of the eyes from the driver seat, "You just don't like it because it's mainstream".

And there it was: the go to accusation against music nerds everywhere.

I don't consider myself a music snob and I'm not going to write something off because it's in the clear channel rotation, at least not initially; I held some affection for Foster the People's "Pumped Up Kicks" but the industry-wide mandate to play it every third song for the last six months has severely soured our relationship. Radio has issued a similar extended quota to "Party Rock Anthem" but over exposure isn't to blame for my lack of enthusiasm for LMFAO; excepting this my friend proposed it was because I "read too much into this type of music. This music is for dumb fun, its not meant to be dissected". This maybe true, I may analyze music a bit more than the average listener but that is because I'm fascinated by what separates a song I genuinely like and one I can't stand. Sometimes its something easy like a singer's voice or the difference between a drum machine and a real person behind the skins, but more often than not the criteria I follow isn't so easily defined even within my own head. I directed my accuser's attention to exhibit B: I like plenty of songs that are conceptually and lyrically "ankle deep". I still listen to CCS's entire self titled album with tracks like "Art Bitch" and "Meeting Paris Hilton" and perhaps even stronger evidence for my case: my inexplicable affection for Katy Perry's "E.T.".

I've tried to follow the trail of my enjoyment for this song down the rabbit hole, but every time I do I end up getting lost. I even listened to "E.T." along with the four other number one singles from Katy Perry's Teenage Dream in an attempt to suss-out the reason her hit average by my ear is only one-in-five. What did my search uncover? Nothing I could take to court. It wasn't the Kanye West feature, I like "E.T." despite his awful verse; the music is more spacey and electronic so it stands out when compared to the other four singles but I don't equate different with better otherwise I might like Animal Collective.

When I think of "Party Rock Anthem" and the five (so far) number one singles from Teenage Dream sand "E.T." the same word consistantly accompanies the music: obnoxious. Obnoxious like the kid who cheated on the big test but still brags about his "A-".

"Whatever. Change the channel then," my friend offered emphasizing his waning patience with my criticizing his music for the duration of the short trip. I crossed my arms in a mocking pout and let the music play on and he didn't say it but I'm sure at that point we were thinking the same thing: obnoxious.


Monday, October 10, 2011

rage against pop music (music occupying Occupy) a few tracks...


So everyone knows about the movement that is happening on the left side of politics lately, that is Occupy Wall Street or just OCCUPY. This group of citizens that is tired of corporations getting rich while the hard-working masses get poorer. They started out by organizing a sit-in of Wall Street and caught the eye of the world as a motivated protest. They also caught the eye of protest rawkers everywhere including Radiohead, Jeff Mangum (Neutral Milk Hotel), and rapper/poet Talib Kweli. The latter two of the three actually picking up the microphone and playing at the "event" protest. This is important for a number of reasons. It helps get the word out, of course. However, it also serves as a rare opportunity to see Jeff Mangum preform. No pop artist preformed.

Jeff Mangum preforming live @ Occupy Wall Street

Talib Kweli preforming live @ Occupy Wall Street

Radiohead was heavily rumored to make a surprise appearance at Occupy Wall Street. A rumor that they later debunked, however they lent their support to OCCUPY shortly after explaining their stance against corporations on the Colbert Report. This leads me to try to figure out just what Radiohead is doing recently and why they seem to be popping as of late. It has been a few months now since the release of King of Limbs and Radiohead is just now performing songs like Lotus Flower and Giving Up the Ghost on the late night TV show circuit. Well earlier this week Radiohead released a mixtape TKOL RMX 1234567 that features chill-waveish remixes of 19 songs. (I have included a link to listen to the mixtape). It seems to me that Radiohead isn't finished releasing The King of Limbs. I think that they have much more to do with it and they are planning some really big things. The release of the album was just the first. I am expecting really big things in the near future from Radiohead.
 
Radiohead - Lotus Flower (Jaques Greene Remix)

This week a former bassist for Weezer died. Mikey Welsh played with the group during their Green Album period, and toured with them during their re-claiming of success. I personally caught Weezer a number of times during this period and the band looked like they were so happy. I am happy to have seen Mikey Welsh in concert when he still appeared happy. It sucks when things just don't work out for people. Mikey Welsh will be missed.



Weezer (w/ Mikey Welsh) - Don't Let Go, Island in the Sun, American Gigolo, and Crab (Live 2001)

S!D











Thursday, September 29, 2011

earbuds. Episode 1 - The guys ramble on... like Zeppelin



Hey everyone this just like our banner above says we have a blog and a podcast. Well this is it. This is the podcast. Below are a few songs that we talk about during the podcast. Listen up and let us know what you think. Oh... here are those album covers, you can see that LMFAO has no creativity in that department.



Florence & The Machine - Shake It Out (The Weeknd Remix)




The Weeknd - The Birds (Part 1)

Mr. Muthafuckin' eXquire - Huzzah

Ida Maria - Forgive Me

Lana Del Rey - Blue Jeans

Childish Gambino - Bonfire


S!D & ASH


Tuesday, September 27, 2011

Track Review! -- Lana Del Rey "Kinda Outta Luck"

Lana Del Rey "Kinda Outta Luck"    This song serves as an adequate mission statement for the type of retro-pop diva aesthetic Lana Del Rey and her label are trying to cultivate. The intro begins with a lonely guitar plucking in dusty sepia tones that summon the same early 70's pulp feel of a Quentin Tarantino movie while Del Rey lazily laments along to before a rush of popcorn drums enthusiastically race to the sonic forefront and announce the song proper. Lana immediately switches gears and bounces along with the simple, but effective 1-2-3-4 step bassline singing "Femme Fatale/ Always on the run/ Diamonds on my wrist/ Whiskey on my tongue" with an air of knowing sweetness and don't-give-a-fuck confidence that you can almost smell a mixture of vanilla perfume and whiskey vapor coming out of the speakers.

     The chorus brings in a cadence of hand-claps as Ms. Rey begins an ocsillating sing-song voice that coolly rubber bands up and down as she playfully asks if it's, "wrong wrong THAT I think it's KINDA fun WHEN I hit you IN THE back OF THE head WITH A gun". She comes off like a female sociopath version of Ferris Bueller who always gets what she wants but you still can't help but think she totally deserves to get away with all of it.

     Lana Del Rey has been getting a lot of attention based on just a few songs which is a weird consequence of our modern "gimme gimme gimme" attitude towards music and right now she hasn't produced another track as unabashedly pop as "Kinda Outta Luck", and seems to be leaning towards a more moody fair based on the few other .mp3's I've heard. Hopefully I'm not getting excited over a fluke of a song and in-spite of her growing visibility, and the artistic pressure that brings, Lana Del Rey remembers to take a day off and just have some fun every once in a while.

Bueller?